Robert John in the 1970s
Photo/screenshot of YouTube video
Robert John and Williams Honor
Photo/Elaine Van Develde
Remember those songs in the 70s you slow-danced to or sat in a dark corner and cried over during that teen break-up? Or maybe you blasted them in the car with your gal pals, willing him to come back!
Was one of them Sad Eyes or Hey There Lonely Girl? How about The Lion Sleeps Tonight? OK, maybe not that one.
They were classics. Still are. And, Robert John, the man who wrote Sad Eyes and sang all of them, hitting all those high notes perfectly, lives in the area.
It doesn’t get any simpler or more enjoyable. A summer night spent at an impromptu music jam/record release party with rising stars.
The temperature was high and so were the spirits of a fortunate few who were treated to a few sets of serenading by Asbury Park-based country duo Williams Honor — vocalist Reagan Richards and instrumentalist and singer Gordon Brown.
The two made their way to Ron’s West End Pub to share their special night, calling it a “home” reminiscent of the type of places in Nashville, Tennessee where talent is typically honed in embracing musical improv nooks.
After doing separate stints in Nashville, the two, each with his/her own Jersey shore connections, wound up meeting in Asbury. Upon being introduced at The Saint, they struck up a kinship over music style.
That’s when their united melodious fight began. It’s a fight to keep their brand of country storytelling thriving through song in an area they think is prime for it but never gave the genre a fair shake.
They’ve now been going country strong for about a year. That year culminated in the record release Sept. 1. Another special surprise for them and everyone else was that they love to cover the iconic 1970s song Sad Eyes, and its writer and singer, Robert John, was in the drop-by audience.
No one was name-dropping, but Williams Honor was, well, honored.
And, what’s in that name?
The impetus for the Williams Honor moniker, the two said, was to honor both of their fathers, military vets. Richards’ father’s name was William. His dog tag dangles around her neck, an integral piece for her in her everyday jewelry draping.
“Some people are uncomfortable with it,” she said. “They say you’re not supposed to wear it as jewelry. But I like to have him (and everything he stood for) close to me all the time, so I can honor, remember him (and vets like him) all the time … holding onto him in a positive way.”
Brown’s father’s name is not William, but he said they chose to use Richards’ dad’s name as a sort of duplicate honor for both and multiple for all vets — thus the plural rather than singular possessive of the name in the group.
To honor the band’s namesake and the difficulty faced by families of those going off to war, the two said they wrote a song that puts a positive twist on the experience, albeit bittersweet.
It’s called Don’t Wanna Let You Go, and “we finished mixing it about 15 minutes before we came to Ron’s,” Brown said. “It’s the last song we finished for the record.”
“When people go off to war, when they go off into the military, there’s obviously the chance that they won’t come back,” Richards said. “Well, this is a very hopeful song on the record. This is about them coming back, and everybody being so proud, as we are …”
So it goes …
“Keep your father’s laugh he’s in everything you do, and we both know he’d be so proud of you … I don’t wanna let you go … And all that you need to know is I won’t let you go …”
You may not wanna to let Williams Honor go once you hear them.
You must be logged in to post a comment.